Winternachten Antilles/Suriname 2010: “A sense of belonging”
August 11, 2010
‘A sense of belonging’, was the theme of a combined writers’ tour by Winternachten to the Dutch Carribean and Suriname. For two weeks, from 13 to 24 April 2010, writers Bas Heijne (Netherlands), Yasmine Allas (Netherlands/Somalia), Bernice Chauly (Malaysia) and Iman Humaydan (Lebanon) travelled through the Caribbean. They performed before a general audience, and for students and school pupils in Sint Maarten, Curaçao, Aruba en Suriname.
Winternachten collaborated with four partner organisations who organise the events on the spot, and who were responsible for the local element in the programme, by inviting writers and musicians from the region. On Sint Maarten, the programme was organised by Philipsburg Jubilee Library, on Aruba by the Bibliotéca Nacional, on Curaçao by the Fundashon pa Planifikashon di Idioma (FPI), and in Suriname by Stichting Literair Festival Suriname.
De public programmes in the evenings consisted of literary readings, music, sometimes also with debate and film. An important part of the tour are the performances of writers in schools and universities.
(post taken from: Winternachten Antilles/Suriname 2010: ‘A sense of belonging’. Please visit the website for more information)
Winternachten
August 11, 2010
Bernice Chauly
(Georgetown, Penang, Malaysia, 1968) is a Malaysian writer, poet, photographer and teacher. She graduated with a B.Ed in English Literature and TESL in 1990 from the University of Winnipeg, Canada. She has published two acclaimed collections of poetry, going there and coming back (1997), The Book of Sins (2007) and a collection of short stories, lost in KL (2007). Her poetry and prose is largely personal and she works in both English and Bahasa Malaysia. She has worked as a journalist, publisher, editor, travel/food writer and has also written for the stage and screen. She is passionate about telling stories and is concerned with issues of marginalization, human rights and identity. Her work with refugees, AIDS, sex workers, indigenous peoples and masters of folk traditions has been documented in award-winning works that span photography, monologues, plays and film. Her work has also appeared in many international and regional anthologies. She is currently finishing a memoir, part of her MA in English Literature/Creative Writing, called Growing Up with Ghosts on her Chinese-Punjabi ancestry; a diasporic, historical and factional account of her family history in five voices. A seasoned performer for the stage and screen, she is also a key organiser and founder of literary events in Kuala Lumpur.
participant in
Antilles/Suriname 2010
Tori fu dya nanga abrawatra — Stories from here and overseas
Crusa Lama — Aruba
Krusa Laman — Kaminda rais a kue tera/A Sense of Belonging – Curaçao
Krusa Laman — Curaçao
Crossing the Seas — Sint Maarten
(post taken from: Winternachten: Bernice Chauly)
Review of Going There and Coming Back, in Sunday Star
March 2, 2009

Photo by Bernice Chauly

Click on image to view article
Read going there and coming back, poems and prose by Bernice Chauly
Book of Sins review in KLue
March 2, 2009
Translation of “Forgiveness”
October 3, 2008
Wanted to share this. It’s quite a lovely translation.
‘Forgiveness’ by Bernice Chauly
Translated by Kadek Krishna Adidharma
for the Ubud Writers and Readers Festival 2008 (see Cultural Cocktails and Emeralds from The Equator for my involvement in this year’s main program).
——————–
Pengampunan
1.
Di kelam malam paling gelap
memegang Injilmu, deodoranku
dan kacamata bacamu
kau goyah
mata menatapku – dengan
tangan tunggalmu
kau berkata
dalam jubah tidurmu
bercorak bunga biru, biru tua dan putih –
Siapa kamu?
Sepertinya aku tersasar.
2.
Ia dulu tinggi
pohon yang begitu kucinta itu
di kebun masa mudaku
kebun itu, kebunmu
tempat kutemukan sarang-sarang burung
sebagai bocah
Memanjat naik dan naik
melongok dengan
mata dan tangan tak sabar
bayi-bayi tak berdaya itu
bermulut terbuka
kuberi makan cacing – yang kutemukan
Di tanah dekat
ayunan
yang kaubawa dari rumah
di Taiping –
warnanya putih dulu
Tapi kini keperakan seperti warna
rambutmu, sebagaimana sekarang
tumbuh lagi dalam tangkai-tangkai
keperakan, laksana pinus
Rentan, seperti serat-serat
kaca, membingkai wajahmu
menampilkan tulang, pembuluh, urat
selagi kanker itu melahapmu
Kau telah menjadi bocah kembali
seperti burung-burung yang dulu kuberi makan
Kuberi kau makan sekarang, sesuap demi
sesuap cair
seperti dulu kau menyuapiku
Dan seperti burung-burung itu
kutahu kau akan terbang
kumohon –
terbanglah sekarang, dengan lengan
terbuka lebar
seperti burung-burung itu
yang dulu tinggal
di kebunmu
3.
Semua bermula dengan segumpal darah
di sisi kanan otakmu
Penyakit di ambang pintu
yang begitu banyak berujar
namun berkata begitu sedikit
Maka
Berakhirlah di sini
dengan darah
hidup dan mati berpautan
Dalam hangat dan nyaman
rumahku
dan koma yang telah membawamu
Aku akan merangkulmu
dalam simfoni berbagai darah ini
dorong tariknya
dalam pembuluh darah tak berarah
selagi ia berkelak-kelok
dan kembali
pada sumber yang esa itu
Selagi ia meninggalkanmu
dengan setiap hela dan nafas
selagi ia meninggalkanmu
namun selagi ia telah dan selalu akan
kekal abadi
Bernafaslah ibu
bernafas sajalah
Kutahu penghancuran
telah mengambil alih
dan itu dia
di ruang tempat pernah hidup
bahasa Tuhan – Tuhanmu
matematika
Dan kini, kaulah ini – dengan bahasa sederhana
Aku ingin kau kembali
Aku ingin kau kembali
Ibu
Dengan langkah ringanmu
rambut yang salah diwarna, mata cerah
dengan pengabdian tanpa pamrih
Aku ingin kau kembali
Aku ingin segenap asamu kembali
Dalam gaun-gaun sejuk
samfu batik dan sepatu Bata
dan surat-surat administrasi yang mewujudmu
Kau lebih cantik sekarang
dalam ketaknyamaanmu
kau telah memilikinya
dan ia telah membuatmu
Dalam sakitnya, dalam sikapnya
telak dalam benak kanker ini
Lepaskan Ibu
sudah waktunya menyambut
diri yang tersisa
ia yang cidera oleh hidup
dalam mati, akan pulih.
————
Diterjemahkan oleh Kadek Krishna Adidharma
English versions:
Review of The Book of Sins
October 3, 2008
Taken from a review of The Book of Sins in Kakiseni

19. 03. 2008
The Virtues of Sin by Gabrielle LowIn Bernice Chauly’s small but substantial collection of poetry and prose, The Book of Sins, words indeed rage forth from the page, and they do so with a searing yet unembellished forcefulness.
It’s hard not to note, first and foremost, the urgent, pounding rhythm to some of the lines in this collection. In This Love, she writes “And she in her silence prayed that it would stop, that he would stop that he would realize that it was enough, that it was enough.” Each phrase crashes with a sort of drumbeat intensity. Each phrase hits directly at a nerve.
Other poems are distinguished by a stark immediacy. “Sweet Jesus, she cannot breathe” starts off the piece entitled Haze.
In other instances, words are staggered as if they are being exhaled bit by bit:
“When your husband leaves you
and your daughter of two
asks you
not to cry mama
not to
cry
mamaYou just do.”
The brevity of the poems signals a conviction in her own words. In several of the poems, it is this economy of language that gives rise to a greater degree of meaning and exegetical possibilities. As she writes in Meaning:
“The world is full of metaphors
and I am one of them.”A distinctly female voice emerges from this book.
It is a voice that is, at times, victimized, as in This Love quoted above, or bitterly disenchanted (“What difference will tonight make/on this street of sin/we still spread our legs for money”), or militant:
“And so she died
for the cause
And so she blew herself up
for the cause”Taken together, these particular poems exude a somewhat predictable brand of old school feminist angst: sisters, we have suffered for too long, let us take up arms.
But in some instances, she lets this go, and gives way to a female voice that is more voluptuous and more at ease with red lipstick — the implication is that feminism need not preclude femininity:
“Let me wear
my silks and makeup
…
make my entry
like a lady”Sometimes, however, that female voice becomes more subliminal:
“Plunging into
red depths, emerging
from many birthsDreaming through lifetimes
eating of roses, dark
wood and cactuses”To me, those words, from the poem entitled Like He Once Said…, are a richer expression of the female than all references to virgins, mothers and prostitutes combined.
Bernice is not absolved of certain literary indulgences — poems that sound like confessionals (“I drink too much now/I cry all too much now”), or those that revel in their own melancholy (“Art is pain and pain is art”). Even the juxtaposition of carnality and religion — some of the chapters are named after a number of the Seven Deadly Sins (Pride, Gluttony, Lust) — is somewhat expected. But often, she gives her words enough color and enough truth to keep us with her, so that when she writes “and as the children slept I drank wine, smoked/while pounding pencils into powder on paper”, what comes across is not poetic affectation but words spoken in confidence. The strength of this book is that she sounds like she has lived these words.
At times, she crosses the threshold between poignance and misty-eyed sentimentality. Poems that touch on social issues, in particular, tend to lack the shades of meaning and the contemplative tone that distinguish some of her other pieces.
In Penan her restraint on romanticism and nostalgia is minimal:
“To you
ancient father of the mystic land
I bear no good news, yet
the flicker of hope in your eyes
tells of your pride
as we journey into Bakun.”The strongest works in the book are the poems that sound less polemical, and more personal, when anger and heartbreak are expressed more as a sigh than as a rant. Some poems derive their texture from details (“the swing/you brought from the house/in Taiping -/it was white then”). Others are striking for their intimacy: “Between sheets/between breaths/between skins/That sometimes/met in secret” reads like an entry to a diary that someone has hidden under a clean white pillow.
Then there are the pieces are marked by a willingness to deal squarely with ambivalence—one theme that emerges on several occasions is the state of being torn between motherhood on one hand (“I feed them both from a bowl of rice”), and on the other, the realization that that entails giving up a degree of personal freedom:
“I now know
Why birth is a wing
And my child
A chain.”
It would have been too easy if she dwelled merely on her maternal instincts. Traditionalists might scold her for it, but it says a lot about her honesty as a writer.
The themes that bind most of the works in the collection—life and death, love and heartbreak, the religious and the profane—all seem to coincide seamlessly in what is perhaps the most powerful piece in the book, the only poem that makes up the section titled Forgiveness. What begins with memories of her mother and her childhood (“in the garden of my youth/that garden/your garden”) unfolds into a description of her mother’s illness (“Breathe Mother/just breathe”) and, finally, her passing:
“Let go Mother
it is time to greet
the self that still remains
that which life has maimed
in death, will recover.”~
Gabrielle Low is a writer and editor. Her contributions to Kakiseni include articles on culture and visual art.
The Book of Sins is available in most major book-stores at RM24.00 per copy.
Related post: The Book of Sins is out!
going there and coming back, poems and prose by Bernice Chauly
October 3, 2008
My first collection of poetry, published by Rhino Press in 1997
picking fruit
when i was a child
my parents were angels
who fell to earth because
they wanted to love
i was their fruit
ripe for the picking
always in season
then my father died
his angel wings were
carried away
further and further
until they became white foam
and merged with
the ocean spray
i died with you
my young soul screaming
like unripe fruit
in the hands of
the fruit pickers
january first
i remember that afternoon
when we lay
the leaves dropped gently
and left a dappled light
dancing with no shadow
this is beautiful
I can see your soul
and the tune your
spirit dances to
come, my love
let me lick the earth
from your fingers
sweet and love
when I am with you
I stir
and am reminded
of humid nights
heavy and sweet
as I inhale – deep
the scent of
sandalwood and ambrosia
on skin
I hear you smile
as you enter the
desert sand
and draw
me in
child
from the golden light
that you came
to which you must now
return
until you and i
seed of your seed
fruit of my womb
energy-egg into flesh
our love union
until then
child of light
you are free to roam
the realms of nameless souls
and child -spirits
until we meet again
and part no more
Feb 16 1995
8.20 pm
an extended political fart that occurred in the early afternoon
Piss on practical committees, cohorts are inept, as sarcasm, expeditions to Egypt, King Tut was too optimistic, My
Fabulle, “who put that genital in my rum?” satisfied? “who me?” we’re such frigid rascals, two listless women and
homosexual monkeys who suck on their mother’s milk for the capitalists – “ ooh mommy, give me that, oh forsaken
godly supper, ooh, to taste the fresh trickle in my mouth makes my tongue, you, the master, said with nihilistic truths,
anarchism farts you in the face, pricks are noble friends, the voices of the socialist gods milk the cows to sleep, their
teeth aren’t as appropriate as Caesar’s remarks.
illness
again,
your body is racked by the pains,
the coarse, viscous streams of viruses
in their prime,
penetrating your resistance,
weakening you into deep slumber
i am your nurse, mother-like,
inducing you to a slow, steady health
and I think of what I am lacking -
your touch, your kiss upon my worried brow
and I think of what I want -
not expecting, not questioning,
because you are
once again
depleted
again, I remind myself,
perhaps my dominance,
my brash, fearless assumptions
are diminishing you
i cry into oblivion,
recalling a moment of union
when we embraced
lips locked, eye to third eye
heart and groin
searing a blinding infusion of blue orbs
tantrik thankas, minuscule buddhas, smiling
all culminating
breeding a fearless energy
again,
I will give you myself
regardless of who I am
and who I am not
to heal and to love
to greet the woman only you have known
in return,
give me your pain,
your illness, your foul breath
(still thriving on the energy of
your semen-seed, of blood and water)
and I will heal you
as you lie in silence
and I
in my dominance.
manji
your handsome face
now worn and weary
lined with irreconcilable grief
your hands callused and thick
always smelling of sweet chappati
your breasts heavy and sobbing continuously
cradling the head of your son
trying to wrench one last breath
from his cold lips
your cries are lost
in the sea
of flowers sweet spiraling
heady incense
and the luminous veils
of grieving
punjabi women
a mere act
i am considering
why we seek to speak and write
profundity
eminently expecting to rise to
great heights
to be remembered
why so desire immortality?
why try?
when every second, every breath
every step forward
is profound
as most profundities are gone
as soon as they come
blinding revelations
each better than the last
each a crisp snowflake
that melts
on your eager tongue.
lovers
it was in the fall
in the prime of our essence
you were the sun
I was the moon
the night was magic intense
we whirled like dervishes
possessed
spinning webs
silvery and wet
we hungered in the silence
of the river
our dancesong of love
the branches swayed swooned
between breaths
exchanging souls
it was the night
we walked
on the edge of the four worlds
it was the night
I died in your arms
and emerged anew
fulfilled
in the exquisite
phantom light
playing with one’s mind
prism of flowing emotion
inducing vision, perpetual motion
unrefining distances
reflecting over dualistic natures
condemning life to structure and conformity
In pleasing oneself, must one please another?
for those who wish only to please
superior minds, pillars of perpetual wisdom
for those lovers of the myth and of the past
imprisoning arrows of poisoned wisdom
defying systematic traditions
altruistic memoirs of time and places
I choose to surround myself
in a fluid orb of colourful scents
flavours for each mind
O, Lady of the Roses
your oracle for unlearning
mitigating forces of a solitary mission
for one who has chosen
each learning to fit in
adapting to demands
exposing potholes of a dual nature
unrecognizable self-portions
perhaps a third mind
omniscient, invisible
enclosed in sublime nothingness
perfect, within
a cryptic light
words
voices drawl like stone on paper
permeating this arid room
letters formed in the mind
rising in each esophagus
spilling forth
speech, we call it
grunting and nasal
sweet and sublime
gushing, glutinous like
damp moonbeams, sinewy
fluid, curt like pistol shots
releasing word molecules
intermingling
word collisions in the air
converging, air containing
this is language spoken by millions
over thousands of years
living world created by words
human beings leaving invisible tokens
deviations, levitations
rising into the air, higher and higher
word layers, molecules thick
word rainbows, fraudulent
immersing yet containing
Do words die?
La Luna
Moon hovers behind you, draws life
ocean, hair, smile, sweet longing
scent of dew on skin
breaking waves
Neptune’s deafness grinds to a halt
backwash, you can feel it clearly
it’s right here
sea, unburdened sorrow lifts, drifts
deciphers the wind
talking is a sign, unreadable
she drags a hiss between teeth
tides noisy gritty breath
Moon
hovers between the neck of the sand
it forms a sound of joy, scrubby sand
leaves the leaves with salt
the season is late, the flowers in the garden rot
a newt slides under
it speaks , it is not
the eye or ear? clear as the laughter of a fairy
spouting rhyme and rune
comely impenetrable wall of death
she sees how it works
brine and gall to blind you
growl of mortar and bricks
surge of multiple ringing
Moon
hovers , flashes against the edge of the red wind
arc of the sea, eyes dance in empty sockets
ears repeat the monotony of speech
oar of the sea
Moon
hovers, gathers a bounty
tosses her arms, arc of fluid motion
her hair strings of moonbeams
mouth that speaks no wrong
rise to leave, feet sink in sand
dead man meets man and woman
in the early hours of ecstasy
there is no place for the luxury of sin
change, struggle
moon is also the sea, seen world of dreams
mortals wishing, struggling to define
between the sea
and I
am at the edge of
the garden
Moon
brews a storm of voices
behind you
draws life.
Montreal Massacred
Yes you
Monsieur Lepine
cold-blooded murderer
decided to play god
armed with your deadly toy
ruthless coward you
aimed at the objects of your
hatred you
severed the life
of not one
but fourteen
in their prime
you
shattered their dreams
shattered our dreams
of a vision supreme
Yes you
Monsieur Lepine
took your life you
let your blood flow
mingle with theirs
crimson
contaminating the innocence
of those delicate petals
fresh unbroken unplucked
now crushed
by the wrath
of your
kind
(in memory of 14 women who were shot dead in Montreal December 6 1989)
regurgitation on a day when I was out walking
i am clinging to the effervescent
desire of loneliness, the blue incandescence
swirl of emotions, tenderly slaving across my skin
undaunting, unrelinquishing
this monumental figure of a silent yearning
this colossus befits my becoming nature
the will compels
I am to be my own master of fears
to be this is human
to succumb to the lowly plight of death
the voices of the children are lost in the breeze
in placating a woman moaning in grief
for all the lost souls who were deceived
quickly
I grasp this congested fluid
I move away from the frenzied collision
of souls
Alchemy
For both our weaknesses, the distinct human truth that lies in you and I
Does my love, love me?
I saw you smiling, eye between shining center, colliding emotion
building a slow ascension into your heaven
I saw you crush your meagre disabilities for a slow liberation
I saw you turn the other way, in shame and dissolution
I saw you hide your demonic light, radiating in it’s twin shadow
I saw you descend into the cursed hell of fire and tallow
As I write what dreams refuse to let me see
who we really are – a myth shrouded in a cloud of conspiracy
I saw your lips descend and claim the uncoiling essence
A thousand loving thrusts of truth poised an ready to strike
I saw you seek abandonment in the flesh of the divine tree
I saw the golden orb surround us, laughing in glee
I saw you bask in the love of our making, confiding, reminiscing
I saw you shatter the barriers of cunning, absorbing
Claiming your unwanton reality, hovering in ambiguity
Touch uncovering, unflinching, layer after layer
I saw the phantoms rise, unrelenting thoughts writhe
I saw you depart into oblivion, love unforgotten
Unreality depicting personality
I saw the other clasp you like a broken feather
Advancement toward power and mockery
I saw the other touch me like a rose on a sword
Subtle precision, deadly in matter and force
Essential sorrow dwells and thrives
I saw the dying surge until the angel came to greet you
Embracing a raging penury, pleasures of a bitter grace
I saw the wonder of words breathing distinctly, silently
I saw the gaiety of ecstasy stealth upon a weeping tree
I saw you beckon the one who lives, yet alone
I saw your wise frown, weary keeper leading thy grave to thee
I saw you teach majesty, touching radiance and anger
I saw you hold conversation with the mind
I saw your intuition flow into logic, a cry for humanity
The one that lies in each other -
Divine ability to kill and bring to life
Thus we are three, living within a laughter of reality
I saw you embrace the other and merge together
recoiling in the smell
of Alchemy.
In Dreams I See Beauty
In stark light
I see the beauty of a creator
within me
Curious scenes glistening
imposing dilemmas of many minds
fluid incongruity
Striking a contrast
similarities of nature
light bodies merge and separate
The avenger comes, initiator
stepping into a dream
frightful demon within
inducing madness likened to a lunar scorn
distorting reality
Clutching each fibre
extroverted yet secluded
bringing me closer, at a distance still
(orbit spiraling , reaching into nothing
deceptive maneuver, risky flight)
opposing winds
opposing minds
opposing tides
Ignoring persuasion, recognizing manipulation
storing pain, exhibiting happiness
numb to everything
Consider me – my alter ego – doppelganger
contrasting my will, the sword that severs
illusion from reality
offering the comforts of a mother’s womb
Take me to another universe
connected by a singular silver thread
to earth my solitary bed
In dreams I am bathed in orbs of glowing colour
creatures of the id surround me
they speak in waves of matter
In celebration of my womanhood
recalling a process of living and dying
In celebration of a dream
goddess and woman embrace lovingly.
The Hanged Man
I shuddered , asking
“Does the future exist here?”
brazen eyes flashing, slithering smile
throwing me into the pit
where everything is of sin -
the world engulfed in it’s own flames
seeing the chronic disease that
racks the human mind –
mother of all inventions
touching the death and decay of it all,
I shuddered,
the room changed
and we were entwined in a lair
of spinning, luminous threads
of grey, silver and green
serpentine, serpentine
you were saying that I am going through
what others never do
that perhaps I will die knowing
who I was
because of this
the mirror cracked
I watched
my face splintered into pieces
and yes,
I held my still heart in my hand
and sliced it this way and that
three times
it emerged fresh and whole as before
envisioning the visage of intelligence
bringing no more fear
but realization of the price
the price
for loving you
The problem of persuasion that lies in the human heart is only foretold…
tumultuous ocean lies bereft
of all thought and emotion
stay clear of impending doubt
beam your way
past the fog
that keeps you tied down
light hearted frown
smooth the waves
silken and shine
beach your fears
tie the anchor down
suppress the dreamer
you will overcome
ease the fliers that
cool the breeze
seek the diamonds
thru the leaves
to answer the problem
of persuasion that lies
in one’s liberation
An Answer to Matter
I felt a surge arising
after passion rekindling
piercing gaze , engulfing matter and spirit
invincible war unwilling to abate
Like
a rose choking on its own thorns
a wrenching grip that’s too tight to relinquish
staying afloat and watching the sun rise
setting sail for an impossible voyage
a pressure that builds to a distant height
This is the answer to Matter
God is a pressure
I think about my vulnerability
an open wound, a scarlet thorn
drawing this life to answer this call
denying the scent of a benign nature
cowering beneath a shroud of rapture
Like
a nation with an invisible army
a knight still radiant without a sword
thunder of crushing rock and sulphur
watching a fortress crumble with age
observing a sage diminish with haste
This is the answer to Matter
God is a pressure
I dreamed a serpent fell from the sky
and separated into the twelve beasts of creation
standing in one line, each touched my eye
striving to uncover a secret configuration
unrelenting in the greeting of another nation
Like
another who usurps a present leader
an arrow that strikes against a burning sky
bridges crossing, sttempting to unite
a raven watching an eagle in flight
This is the answer to Matter
God is a pressure
I saw eight pedestals converging
and each revealing the petals of each path
motioning a steady momentum till time for merging
marring a hasty retreat before the aftermath
However light, however heavy
However weak, however strong
However it is, however it chooses to be
This is the answer to Matter
God is a pressure
An Uncursed Cry
Models of negation
We rise to this occasion
to seek an uncover this
unyielding opposition
Hail! Fury! Fly! Death and Resignation
to complete deliberation
Ignore this perforated sheet of time
freely speak this mind
the centuries of oppression
relied on divine conception -
the dichotomy of Eve and Mary?
Picture in your mind’s eye
the notion of this archaic equation
Dance! Alive!
see Her shine
see yourself shine in glorification
rise up and shine to this
redundant disfiguration
Sweet, oh sweeter still
the enduring chase of timeless oblivion
if Eve did err, “twas for knowledge and discretion”
who? being framed by God’s deliberation
religion was only an example of this manifestation
Hail! Fury! Fly! Death and Resignation
Oh! let me be cruel
love still and be so kind
thrust this sword into the fire of time
consume this heart’s inhibition
motion still, heart’s a plunder
wield this sword of power
to unchain this “error of nature”
Seek not and deny this endless procrastination
slither and shine in the serpent’s eye
airy phantoms rise
unbind the corsets that shield our precision
rise up and confront this blatant manipulation
Oh Rise!
this beauteous nature
define this sublime causation
light on shadow, verse in mind’s meadow
sing forth the essence, the illumination
pursue the winds of the east
where eagles fly and follow
renew this age-old illusion
forget the temptation
create another time and endless adoration
seek the light, vision the shadow
deny not
today or tomorrow
sisters unite!
dwell not in sorrow
it’s time to envision
divine love, divine nature
together
to ease in a new tide -
a notion of our own creation
14 Leech Street
I dreamt
of finding beads, ancient and worn
in the suitcases
belonging to my grandmother
I dreamt
of climbing the old staircase
coated with multiple layers
of emulsion paint
of climbing the stairs
no longer there
I dream
of dusty memory boxes
vials and tubes of
coloured secrets
old clothes and books
among the days and nights
of cobwebs strung in
silent endlessness
as
I watch
my smile decay
wither into the dust
filtered by the longing
of those unfulfilled memories
of a Chinese childhood
2 malay poems
kesepian suasana
impian malam
menghairahkan
detik-detik
kehidupan melampau
menjadi kebiasaan
berdosalah engkau
orang tidak bermoral tinggi
sudikah engkau hidup begini?
tidak menghiraukan
kehendak
bangsa dan negara?
tetapi saya
manusia sendiri
dengan identiti
tidak menghiraukan
tidak mengurung diri
dengan yang begitu dan begini
hanya
dengan imej-imej
layu dan sepi
impian siang
mencurajkan
inspirasi
menara kebiasaan
malam
yang sungguh
menghairahkan
aku
merentas desa
pengalaman
penglihatanku
makin diiringi
suara azan
sungguh mencabarkan
hati sanubari
yang belum
mengalaminya
begini
suara Allah
didengari dari
semua sudut instituisi
suara yang
mencurah zakat
manusia ini
mencabar
gelombang pengalaman
mencabar
kehidupanku
seolah
membayar hutang
aku
merentas desa
pengalaman
penglihatahku
membayangkan
usia
yang belum
melintang
At Impressions after the Van Gogh movie
I am thinking
of flinging
this almost empty coffee cup of
putrid coffee
onto a painting – yes
the trashy Northern Lights
comprised of
blue, yellow , white streaks
and watch the ceramic
splinter – white
In the midst of their chess game
once again
I am spectator to
the battle of egos
I will run berserk into the kitchen
grab a knife – the one that cuts the lettuce for the salads
crumbling green bits still sticking to it
whirl and twirl it around
screaming and
chopping air
I will roll my eyes
make a fool of myself
shattering the mindless states
of these transient fools
who sit
and drink and
drink
but never drain the
endless coffee cup
while I sit and
scream and watch
the shattering of minds
Julia
when you were seven
your world erupted into the war
cursing your generation
you saw the crowds
the crazed, mesmerized glints of
Nazi boots echoing the alleys of Bonn
you saw Hitler and was bewitched
by his fatal attraction
you saw the persecution
in the flames that raged your homeland
when your parents died , you were alone
now, you are still alone
your life has been haunted by the ghosts
of the past, faces of children you once knew
of those wounded, of your husband you nursed back to life
who died . of the son who was struck dead by lighting
and the one who does not acknowledge you
you spend your days in the room that smells of dog-hair
dusty books and paintings, you read Rilke again and again
you have no friends, only the world that is out to get you
as I listen to you ramble in German, the lush, guttural music
that I love as I listen to your silence, your loneliness, your despair
you shared your life with me over a plate of broccoli and cauliflower
drenched in sour cream, crouched in your corner, you shake your head
over and over again as the memories, the pain drift through your eyes, misty
hands squeezed tight as if in prayer
sweet and low
half haunted by the light of our love’s evening
I wait like the last customer of the night
standing in my shadow
hungry again
as you emerge from the depths
of the street
come, my love
let me lick the earth
from your fingers
Papa
with your swift hand
your lightning strokes
upon this canvas
beguiled
with your swift
surgeon’s cut
scalpel scent of
grey hospital walls
mesmerised
Papa
you left
you left me
to retrace the paths
of your loneliness
to answer to despair
to consort with the ghostly
memories of your smile
to live, to die
to let the devil in you
fly
you
discovering you’re imperfect
minds blended into one why not feel different
because I refuse to transcend this state of mind
blended into a huge cauldron of steaming emotions
sweat brow upon this present reality he is so far away from me
I want to draw him closer to touch soul on my soul
ushers in a new dawn
coming home from school
to find her within her tiger’s eyes so shine
and look in between the tides usurp the throne of wonder
why I ponder soft past intermingling like tiny moonbeams
of light on shadow what do you want from me
ability to claw at the sky? home for the blind? set me free
to mind ambivalence within his ego
turbulent dreamer of sanguine and sublime
overcome like leaves sweeping forth
to blend in with the endless coming forth
let’s make up our minds
why do you say what you don’t mean
your perniciousness baffles me
you are like a bug on a tree strong
wanting to be alone at night
love has left me behind
discovering
you are
so blind
trickster
turbulent winds breathe in the tide
you mock me with your devious smile
resounding earth pound and fly
your mastery blinds the eye
seek the dreamer in your mind’s smile
soothe away the pain
change the way the wind
blowing cast light to guide
instinct right rule like a
chain of roses
lush and kind to me
he thrust his sword
turn away!
anger looms from behind - no
refuse to end
swooping down from the cliffs of time
mask shield your disguise
you mock
ask for my endless throes
of majestic abundance
to light and shine
pave a rocky climb
mountain shine
shadow soar above this
seething pool of
mad anguish
gust to
unchain
this fool
of
time
Thinnest of Strings.
1.
Time passed. No one really sees him these days. He lives within the confines of his books and his emotions. He has chosen to overlook the tides and winds of change that have affected us all. The persistent realities of harsh, bitter fate.
Where did we go wrong?
“For the Divine Cause”, we said
“You’re just a fucking kid” he said
“You read too much shit
You talk too much shit
You’re full of shit”, I said
He tripped over his ego many times. It amazed me sometimes with his brilliance, his genius. We played a game of manipulating life through its many guises and forms.
You twisted me like a guitar string.
Your nude pictures baffled me. You invited prostitutes to your apartment to pose for you. You drew your erect penis.
You were my teacher. And yes, I was in love with you.
2.
He liked sex.
“The light that shines from within,” he said.
Why are they all goddam musicians?
“You’re on a fucking ego trip,” he said
“I’m here for the experience”
“Then it’s not worth it is it?”
Your aquiline nose has grown. Your face is caked with lines of cynicism and bitterness.
Ha! Mockery is blissful.
I was ravished. You weren’t my teacher.
3.
A year passed.
He still wears his spandex tights. He made me swear to secrecy once. We did a ritual in his room – everyone called it the economy suite.
“Never tell anyone”, he said.
Strength is in Silence.
He was reading a lot of Franz Bardon. It was a strange time in his life. He scrubbed his body till his pores gleamed.
He rolled his eyes eight times deosil in a basin of water.
He was too nice to be mean, too practical to be irresponsible, too smart to lay down his values for useless dreams. We were friends after all.
And so they were three.
I read what I did.
We were self- elected instruments of God. Consider the possibility that God is Dog spelt backwards?
Creativity can be really destructive. Sensitivity is essential. Compassion was lacking. Cowards.
It died.
We were words. Our meanings changed.
And the leaves of the trees will bring the nations together…
Memories persist
in this quiet abode
oblique – metaphysique
we boldly speak
and sigh
Restore!
I think
Earth
it is not yet
time
to die
Let us live suddenly!
Suck the green from life
Move away from muted shadows
Cast energy into light
petaling street
steal away
past the teeming crowds
faces, different smiles
wizened faces of souls
past the shophouses
that have withstood
wars ,facades
of warm finesse
past the grueling heat
haunted emotions
the tides
worn upon
these paths
I pass
insistent fruit sellers
clothes merchants
food vendors, gurkhas
on hot soggy nights
sliding past
strangers from afar
exploring
smelling the scent
of the street
musky and sweet
underneath it all
the city sleeps
You’re a Ham
let me wear
my silks and make up
paint my nails
Gothic red
make my entry
like a lady
let me lose my head
O Lady Lady
like he once said…
May 15, 2007
the synergy of dreams
lacks nothing
as
we are poised
on the brink of
sudden abysses
plunging into
red depths, emerging
from many births
dreaming through lifetimes
eating of roses
dark wood cactuses
we emerge
like angels from
centuries of sleep
full and unskinned
from the veil
of this earth
untitled
May 10, 2007
i drink too much now
i cry all too much now
on sidewalks and in bars
with and without friends
i do all the things that negate
possibilities
in the manner that i am nought
forsaken, yet still beguiled
by the mystery of mysteries -
between the armour of drink
and the word -
your truths
your lies
it is over
leave me
to reclaim the anomaly of you
as i listen
to the woe of the angels
whom i know
will greet you
di endau – “book of sins”
May 5, 2007
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